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POSE brent broza
POSE, 2017 PHOTO BY BRENT BROZA

POSE

ARTIST AT A GLANCE

POSE graffiti arts exhibition

Beyond The Streets NYC Companion Book

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BERT KRAK "Brooklyn NYC Tattooing" Zine

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Estevan Oriol "LA Fingers" Limited Edition Montana Spray Paint Can

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MADSAKI "Mona Lisa 3 Spray Paint Can"

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Spray Cans T-Shirt

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Tigerclaw Skate Board Mount

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Martha Cooper Limited Edition "Spray Nation Box Set" PRE-ORDER

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ANDRE Limited Edition Montana Spray Paint Can

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Andre / Mr. A - New York Love T-Shirt- White

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TAKI 183 50th Anniversary T-Shirt

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AIKO Zine

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Roger Gastman "Don't Draw Dirty Pictures" Skate Deck

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FAILE "Subrosa" Skate Deck

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FAILE "Hollywood" Skate Deck

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Ryan Travis Christian "Infinite Knife Life" Skate Deck

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Ian Reid "A Few Days And Nights"

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The Perez Bros. "The Perez Bros. Volume 1"

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Chaz Bojórquez "LA MIX (Blue)" Print

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Bert Krak "Magic Touch 16" AP Print

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Andre Saraiva "Graffiti Dream" Print

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Dan Smith "You'll Never Walk Alone"

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Tim Conlon "Tropic-Ana" Print

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DEFER "Style Rider" Skate Deck

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Bert Krak "Magic Touch Skate Deck 1"

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Alex Pardee "Blood Bag #1" Skate Deck

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Roger Gastman "Don't Draw Dirty Pictures 2" Print

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Ian Reid "Complex Geometry"

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Gordon Matta Clark "Pistol Experience, 1973" Skate Deck

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WILD STYLE "Short-Sleeve White Tee"

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Gustavo Zermeño Jr. "Jack"

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Kenny Scharf Fanny Pack

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The Perez Bros. "Los Musicos" Skate Deck

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CORNBREAD "The Legend Of" Print

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Roger Gastman "Don't Draw Dirty Pictures 1" Print

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Alex Pardee "Blood Bag #2" Print

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LADY PINK "1969 Super Sport Camaro" Print

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WILD STYLE "Long-Sleeve Black Tee"

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Ryan Travis Christian "For A Good Time" Skate Deck

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WILD STYLE "Wild Style Zine"

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SWOON "Amanda" Print

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Chaz Bojórquez "LA MIX (Red)" Print

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"Rust Magic (Grey)" Tee-Shirt

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Bert Krak "Uptown Tony" Collectible Figure

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Gustavo Zermeño Jr. "Spike"

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MIKE GIANT "Skull Pennant"

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Hand-Signed "Morning Wood" by Roger Gastman

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AIKO "Bunny Love (Blue)" Print

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MIKE GIANT "Tupac Pennant"

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Mike Giant "Fold-Up Box Van" Print

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AIKO "Bunny Love (Pink)" Print

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Chicago artist POSE turned his graffiti education into a body of work blending illustration, Pop Art, screen printing, lettering, and comic-book-inspired aesthetics. Many of his recent works, which combine painting, printmaking, photography, portraiture, and sculpture, delve into the only recently unearthed history of New York and Philadelphia’s early graffiti years, referencing individual writers and ephemera from the time period.

POSE- Post Graffiti

At its simplest, history painting in graffiti might mean rewriting someone’s name on the same wall where it once stood before the wall was repainted.Each “generation” of graffiti writers was often no more than two years younger than the one before them and learned directly at the hands of their elders. Given graffiti’s ephemeral, illegal nature, the recording, retelling and discussion of its history has always been in the hands of its own participants. For a young writer emerging in a big-city scene, graffiti’s ghosts are everywhere, yet the classrooms are few. For Chicago’s POSE, the city’s graffiti history, as well as the broader history of the medium going back to the days of the earliest Philadelphia and New York writers, was so deep a resource to explore that he wasn’t content to keep his veneration for that history to his own graffiti work. He began to pay homage in his studio work as well.

For more than a decade as a successful fine artist, POSE has brilliantly combined screen-printing, collage and painting to create an ultra-flat body of work in vivid color and hard-edged outline, a mix of Pop, graffiti and portrait imagery. “The more lowbrow stuff is what I draw on and what I get,” says POSE, “and I think that’s why it fits in easily and is fluid with the graffiti, because it’s just all visual art that I’ve been drawn to and accustomed to my whole life. So I started going back to the comics, skate graphics, the immediate-punch emotion stuff where it’s crude emotion, like human emotion.” While the imagery may be lowbrow in its origins, POSE’s work is technically dazzling and flawlessly executed, almost like a hand-painted silkscreen, all of it produced in an enviably large, high-ceilinged studio where a team of friends and peers assist him in his output.

Graffiti is of course not an easy process, often requiring physical pain, sleepless nights and dodging, if not meeting, the pointy end of law enforcement’s stick. “You spend all your time racking and breaking the law and painting,” says artist Jordan Nickel, “and you get in trouble and you’re not going to school and you’re out all night. Seemingly, it’s the worst possible life decision, when you’re fully committed.” Having written graffiti from a young age — encountering all the bumps, bruises and embarrassing conversations with loved ones and yet still emerging with his greaser haircut perfectly combed — POSE came to understand that graffiti for him was not simply one stop on a path to somewhere else. “Graffiti, over time, becomes transformative, at least for me. It’s really what taught me everything about life. It gave me the re-education that I needed a platform to actually function in society, understand myself.
It gave me a real language.”

FRIZZ 1 SPRAY PAINT COLLAGE
FRIZZ 1, SPRAY PAINT & COLLAGE ON CLAYBOARD
PANEL, 2017, 36ʺ × 48ʺ

Graffiti is of course not an easy process, often requiring physical pain, sleepless nights and dodging, if not meeting, the pointy end of law enforcement’s
stick. “You spend all your time racking and breaking the law and painting,” says artist Jordan Nickel, “and you get in trouble and you’re not going to school and you’re out all night. Seemingly, it’s the worst possible life decision, when you’re fully committed.” Having written graffiti from a young age — encountering all the bumps, bruises and embarrassing conversations with loved ones and yet still emerging with his greaser haircut perfectly combed — POSE came to understand that graffiti for him was not simply one stop on a path to somewhere else. “Graffiti, over time, becomes transformative, at least for me. It’s
really what taught me everything about life. It gave me the re-education that I needed a platform to actually function in society, understand myself.
It gave me a real language.”

Immaculately cataloged bottles of paint harness a shared idea about color theory that is wholly unique to the duo; the moment it goes from squeezed tube to the unforgiving blankness of a canvas, it extends their exploration into new visual dimensions, which run the gamut from still-lifes to cartoon characters to ambitious outdoor installations.

The duo operates under a mutual ethos about world-building that is decades in the making after they first met in art school in Australia and later relocated to the United States to nurture their exterior viewpoint — a hodgepodge of midcentury elements, illustrations and pictorial narratives, all informed by their formative adventures with graffiti.

“We don’t even have to discuss it,” Dabs and Myla admit. “We just know what does and what doesn’t belong in our world,” adding, “Our work is usually reflective of the things going on in our own lives, between the two of us being married and creating artwork together.”

A Hyper Creative Expression Through Pose Artist

For artist POSE Jordan Nickel, graffiti is also a history and a context to explore and validate. Many of his recent works, which combine painting, printmaking, Photography, sculpture and collage, have delved into the deep and only recently Unearthed history of New York and Philadelphia’s early graffiti years as encapsulated in the Wall Writers documentary film, companion book and exhibition. In these works he references individual writers, existing photographs and surviving ephemera from a history of graffiti hidden from view, even as later versions of graffiti would become world famous. “I’m going back to some of the ephemera and the photos and the stories,” says POSE, “to try to tell the broader story all the way, going up to my experience. So they’re pretty personal, but their original intent is to really triumph these people and their stories, and show how important they have been to culture by and large, and cement their importance to history.”

These images and figures are central to graffiti’s early history and draw from the long-hidden family and personal photographs of people like ROCKY 184 and STITCH 1, but also from graffiti’s moments of mainstream exposure, e.g., the famous George Lois cover of Esquire in 1973 featuring a visual graffiti riff on a Norman Rockwell painting — a young easel painter holding a spray can instead of a brush. And all of these images become equal fodder for the graffiti artist POSE in his historical works. “It might be odd doing these paintings that are almost snapshots in time of some of the original Wall Writers, but they’re also deeply personal. Almost like self-portraits. Because I feel like, even a writer today — even with social media and the different impulses people have now — I do feel like it’s the exact same time. Why kids start writing today — yes, it’s a different time, but take it out of that time-period context and the impulses are probably completely parallel with some of the Wall Writers. It’s a really universal, human thing, you know? I’m trying to kind of capture that a little bit as well. That is sort of timeless.”

POSE train art chicago
POSE TRAIN, CTA CHICAGO, 2017 PHOTO BY OMENS MSK
POSE LA 2018

Chicago artist POSE turned his graffiti education into a body of work blending illustration, Pop Art, screen printing, lettering, and comic-book-inspired aesthetics. Many of his recent works, which combine painting, printmaking, photography, portraiture, and sculpture, delve into the only recently unearthed history of New York and Philadelphia’s early graffiti years, referencing individual writers and ephemera from the time period.

BEYOND THE STREETS Los Angeles, 2018. Photo by Brent Broza.

 

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